Briony Marshall British, b. 1974

Pangolin London and Sculpture Source present their festive fair, a curated selection of artworks, homeware, jewellery, cards, and books made by sculptors. Prices start at just £30, perfect for unique...

Celebrating 15 years of championing the best Modern British and Contemporary Sculpture.

Welcome to our Christmas Collection where we have selected a unique array of small sculptures, works on paper, ceramics, glass, books and jewellery with prices starting from £45. Whether you're looking for that extra special gift or an excuse to treat yourself we hope you will find something to treasure.

Following from the success of Sculptors' Drawings and Works on Paper in 2012, Pangolin London is delighted to once again exhibit a varied selection of works that celebrate the draftsmanship and printmaking skills of modern British and contemporary sculptors.

Sculptors' Jewellery celebrates works on a miniature scale from those that are more used to working in the monumental. A selling exhibition, it includes over 70 pieces of stunning jewellery by established and emerging sculptors including eight Royal Academicians.

Illustrating the long history of this still somewhat unknown genre, Sculptors' Jewellery includes works from well-known 20th Century artists; from Picasso and Alexander Calder to Lynn Chadwick and Geoffrey Clarke, as well as commissioning over 30 new works from leading contemporary figures such as David Bailey and Damien Hirst.

This was the inaugural London solo show of Pangolin London's 2012 Sculptor in Residence, Briony Marshall. Oxford Biochemistry graduate turned sculptor, Marshall's unique science-inspired works are a humbling and awe-inspiring look at the fragility, beauty and complexity of human life. The second sculptor to take up Pangolin London’s year-long residency, Marshall approaches the realm of art and science in an innovative and fresh way and confirms her reputation as one of the UK’s most exciting up-and-coming sculptors.

Sculptor's Drawings is a collaboration between the two galleries based here at Kings Place, Pangolin London and Kings Place Gallery in September of this year. The exhibition spans both galleries...

Why are women still marginalised by the art world? Does gender bring something different to the work itself, or is it just politics? These are some of the key questions...