Pangolin London has two exhibition spaces in the Kings Place building where we host our vibrant programme of shows. These include our purpose built gallery on the ground floor of Kings Place as well as the Mezzanine Level on B-1. We also exhibit sculpture around the public space and canalside.
Please note that exhibitions on B-1 are open weekends Friday-Monday or by appointment.
Past
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Jon Buck
Turning Inside Out 7 Nov - 22 Dec 2012 Jon Buck’s lively human, bird and animal sculptures look back to a time when animal monuments were worshipped, and explore the human need for cultural icons. Eschewing fashion from the start of his career, Jon Buck has pursued his own interests in primitivism and the links between the physical processes of ‘making’ and the emotional and psychological content of his compositions. Indeed Buck likes to think of his sculptures as acting as intercessors between our contemporary intellectual selves and a more ancient, unconscious self that connects with our primitive, fundamental nature.
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Sculptors' Drawings
and Works on Paper 7 Sep - 27 Oct 2012 Sculptor's Drawings is a collaboration between the two galleries based here at Kings Place, Pangolin London and Kings Place Gallery in September of this year. The exhibition spans both galleries and the entire public space over three levels at Kings Place. It includes over 200 drawings by both established and... Read more -
Bruce Beasley
28 Jun - 25 Aug 2012 Pangolin London hosted the first major solo show in Europe by revered American sculptor Bruce Beasley since his 1995 Yorkshire Sculpture Park exhibition. Known for his astounding formal investigations, Beasley’s cubic structures explore the simple beauty of shape, mass and geometry. Read more -
Two in One
Charlotte Mayer & Almuth Tebbenhoff 14 Mar - 5 May 2012 A joint exhibition of sculpture and works on paper by two highly established and diverse female sculptors: Almuth Tebbenhoff and Charlotte Mayer. Read more -
Exorcising the Fear
British Sculpture from the 50s & 60s 11 Jan - 3 Mar 2012 Taking the sixtieth anniversary year of the XXVI Venice Biennale of 1952 as its starting point, Exorcising the Fear will explore a pivotal point in the history of British sculpture. Returning to the essay by Herbert Read which left an indelible mark on the history of art with the phrase... Read more
